Nanfu Wang hoped that a woman called Ye Haiyan (“Hooligan Sparrow”), who had offered free sex on the Internet to draw attention to the plight of poor women selling their bodies to support their children, would lead her to the prostitutes she wanted...
Three years ago this week I watched the 9th Beijing Independent Film Festival crumble under the weight of official fear—fear that the gritty low-budget, experimental dramas and documentaries screening in a remote Beijing suburb reflected a touch...
One clip shows a girl swatting flies from a younger child among piles of trash. Another has children blowing up used medical gloves like balloons. The footage is on the computer screen of Wang Jiuliang as he edits his second film about waste harming...
New York Times
A blistering fictionalized tale straight out of China, “A Touch of Sin” is at once monumental and human scale. A story of lives rocked by violence, it has the urgency of a screaming headline but one inscribed with emotional weight...
After wrangling with the authorities all day August 25, on what was supposed to be the opening of the festival on the rural outskirts of Beijing, this year’s Beijing Independent Film Festival has been cancelled.
An interview with Zhang Xianmin, founder of one of the many independent cultural events that were banned last year by the Chinese government.
Zhang Yuan, a veteran rebel among Chinese filmmakers, recently came to New York for the premiere of his film Beijing Flickers at the Global Lens 2013 series at the Museum of Modern Art. Ever since Mama, his 1990 debut about a mother and her mentally...
Most accounts of the last year in Chinese cinema are dominated by films that were made for the ever-expanding domestic box office, and the local film industry’s struggle for screen time in competition with Hollywood imports. On the one hand, we...