Chinese Shakespeares

Two Centuries of Cultural Exchange

For close to two hundred years, the ideas of Shakespeare have inspired incredible work in the literature, fiction, theater, and cinema of China, Taiwan, and Hong Kong. From the novels of Lao She and Lin Shu to Lu Xun’s search for a Chinese “Shakespeare,” and from Feng Xiaogang’s martial arts films to labor camp memoirs, Soviet-Chinese theater, Chinese opera in Europe, and silent film, Shakespeare has been put to work in unexpected places, yielding a rich trove of transnational imagery and paradoxical citations in popular and political culture.

Chinese Shakespeares is the first book to concentrate on both Shakespearean performance and Shakespeare’s appearance in Sinophone culture and their ambiguous relationship to the postcolonial question. Substantiated by case studies of major cultural events and texts from the first Opium War in 1839 to our times, Chinese Shakespeares theorizes competing visions of “China” and “Shakespeare” in the global cultural marketplace and challenges the logic of fidelity-based criticism and the myth of cultural exclusivity. In his critique of the locality and ideological investments of authenticity in nationalism, modernity, Marxism, and personal identities, Huang reveals the truly transformative power of Chinese Shakespeares.                         —Columbia University Press


Alexander Huang
Columbia University Press
June 2011

Alexander C. Y. Huang is assistant professor in the Department of Comparative Literature at the Pennsylvania State University, University Park. He is the co-editor of Shakespeare in Hollywood, Asia, and Cyberspace (with Charles Ross; Purdue University Press, 2009) and Class, Boundary, and Social Discourse in the Renaissance (with I-Chun Wang and Mary Theis; National Sun Yat-sen University Center for Humanities and Social Sciences, Taiwan, 2007).

His publications on Shakespeare performance and modern Chinese-language drama and literature have appeared in Modern Language Quarterly, Shakespeare Bulletin, Asian Theatre Journal, The Shakespearean International Yearbook, and Shakespeare Studies, among other publications. Further projects underway include a book on Shakespeare and ethics; a book-length study of trauma and literary humor; and Global Shakespeares, an open-access digital video archive that he co-founded.