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Sheng Keyi on Mo Yan: “Literature Supersedes Politics and Everything Else”

In a recent conversation at the Asia Society, novelist Sheng Keyi said she felt the critism of Mo Yan’s Nobel Prize was unjustified. The controversy, she said, arises from Mo Yan’s politics rather than his literature, “and I think to critique him on that front is unfair. The Nobel Prize for Literature is given for literature and nothing else.”


Culture

12.11.12

Yu Jie: Awarding Mo Yan the Nobel Prize Was a “Huge...

OUYANG BIN

Mo Yan accepted his Nobel Prize for Literature in Stockholm on December 10.The 57-year-old novelist often writes stories based on memories of his village childhood, and his work and his political views have triggered wide debate. In discussion with ChinaFile Associate Editor...

Out of School

12.11.12

What Mo Yan’s Detractors Get Wrong

CHARLES LAUGHLIN

When Chinese novelist Mo Yan accepted the Nobel Prize in Literature earlier this week, the relationship between literature and politics attracted much attention. The award is often given to writers who forcefully oppose political repression. When authors are from countries...

Books

12.28.10

A Subversive Voice in China

SHELLEY WING CHAN

Mo Yan, the most prolific writer in present-day China as well as one of its most prominent avant-gardists, is an author whose literary works have enjoyed an enormous readership and have caught much critical attention not only in mainland China, Hong Kong, and Taiwan but also in...

ChinaFile is a new not-for-profit, English-language, online magazine published by the Center on U.S.-China Relations at the Asia Society. We hope to help facilitate a...

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Culture

05.09.13

“I Just Want to Write”

TEA LEAF NATION

Whether or not I deserved the Nobel Prize, I already received it, and now it’s time to get back to my writing desk and produce a good work. I hear that the 2013 list of Nobel Prize nominees has been finalized. I hope that once the new laureate is announced, no one will pay...

Culture

03.06.13

Lei Lei: A Sketch of the Animator As a Young Man

SUN YUNFAN

Lei Lei, a.k.a. Ray Lei, 27, is one of the best-known animators in China. Unlike many other smart kids of his generation who graduated from China’s top universities, he went off the beaten path early in his career and never turned back. In a country where many artists chase the...

Culture

02.28.13

Classical Music with Chinese Characteristics

SHEILA MELVIN

On a frigid Friday morning at the end of 2012, a stream of expectant concertgoers poured through the cavernous lobby of the China National Center for the Performing Arts. They had come to the stunning, egg-shaped arts complex at this unusually early hour holding invitations to...

Culture

01.29.13

Director Zhang Yuan, Still Kicking

SUN YUNFAN

Zhang Yuan, a veteran rebel among Chinese filmmakers, recently came to New York for the premiere of his film Beijing Flickers at the Global Lens 2013 series at the Museum of Modern Art. Ever since Mama, his 1990 debut about a mother and her mentally challenged son—widely...

Culture

01.16.13

Hong Kong’s Bard of the Everyday

ILARIA MARIA SALA

 I have your words, that you put down on paperbut nothing at hand to return, so I write downpapaya. I cut one open: so many dark points, so many undefined things On Sunday, January 6, when Leung Ping-kwan, author of these lines, passed away, Hong Kong lost one of its...

Culture

01.11.13

Top Floor Circus

SUN YUNFAN

At nine o’clock on a recent Monday morning, Lu Chen, the slender and polite lead singer of Top Floor Circus, the first rock band to sing in Shanghainese—and a man whose transformative stage persona sees him swearing, stripping nearly naked, and engaging in exaggerated...

Culture

11.27.12

Remember to Tell the Truth

MAYA E. RUDOLPH

The recording of memory brings history to life and creates a legacy of its own. In 2010, documentary filmmaker Wu Wenguang launched the Memory Project to try to shine a light on the long-shrouded memories of one of modern China’s most traumatic episodes—the famine of 1958-...

Culture

11.21.12

A New Tower of Babel

SHEILA MELVIN

Xu Bing, the renowned Chinese artist whose many laurels include a MacArthur Foundation “genius” award and an appointment as vice president of China’s Central Academy of Fine Arts, has long demonstrated a fascination with the written word.His groundbreaking work, Book from...

Culture

09.24.12

Wrapped Up: An Interview with Lin Tianmiao

SUN YUNFAN

Lin Tianmiao was born in Taiyuan, Shanxi in 1961 to an artistic family. Her father was a traditional painter and her mother a dancer. In the 1980s, she married video artist Wang Gongxin, moved to New York, and became a textile designer. It wasn’t until the couple moved back to...

Culture

08.21.12

As Beautiful As Little Cats

AGNÈS VARDA, LEAP

Leap Editor's Note: In 1957, the filmmaker Agnès Varda assumed the role of photographer during a two-month journey around both urban and rural China with a delegation of French dignitaries. In 2012, her photographs from that trip appeared in “The Beaches of Agnès Varda in...

Culture

07.02.12

Novelist Chan Koonchung on China’s ‘Lack of Trust...

ILARIA MARIA SALA

“I started to think about this book in 2008, the year of the Beijing Olympics,” says Chan Koonchung of his dystopian novel Shengshi: Zhongguo 2013 (The Fat Years). “2008 was the beginning of a new chapter for China, which is when I realized I had a story: the quake in...

Culture

06.05.12

The Thinker

PEREGRINE

The SunHe could still recall his feelings the first time he saw the Siyun Mountain Observatory thirty-four years ago, when the ambulance crossed the mountain ridge and the main peak appeared in the distance, its domed telescope roofs reflecting the golden light of the setting sun...

Culture

06.04.12

But Some of Us Are Looking at the Stars

PEREGRINE

The wild nature of a realist The moment that someone decides to write, if it’s truly miraculous, is often likened to a “flash of inspiration.” Haruki Murakami’s description of such a moment is a classic example, and whether true or not, it has a certain moving patina. He...

Culture

05.01.12

China Through An Independent Lens

LA FRANCES HUI

Chinese documentaries have gained global attention in the past decade or so, thanks partly to the creative originality of young filmmakers and partly to a rapidly changing China that fascinates viewers from around the world. Wang Bing’s nine-hour epic West of the Tracks (2003...

Culture

04.09.12

What Gu Dexin Left

PHILIP TINARI

Last Saturday the museum I direct in Beijing opened a show by China’s most important contemporary artist you’ve never heard of, Gu Dexin. The opening however had one major difference from the star-studded affairs that have become commonplace in the Beijing art scene over the...

Culture

04.06.12

Three Poems by Han Dong

PEREGRINE

Foggy It’s foggy, or smoky Perhaps it’s smog No one’s surprised by that You can look straight into the sun, floating Like the moon in ashen clouds No one’s surprised by that This morning is no different from other mornings Yesterday and tomorrow are pretty much the...

Culture

03.27.12

Wu Fei: An Authentic Voice

SUN YUNFAN

Wu Fei is a Beijing-born composer, vocalist, and guzheng (Chinese zither) player. Her music career tracks a journey from East to West and back again. Born into a musical family, she started playing guzheng as a child. After graduating from the China Conservatory of Music, Wu...

Culture

03.21.12

A Rhythm of His Own

SUN YUNFAN

Huang Bo, founder and lead singer of the funk band The Verse, is a Chinese artist who looks to the West for musical and spiritual inspiration. Huang grew up in Changsha and moved to Guangzhou in the 1990s to study oil painting at the Guangzhou Academy of Fine Arts. It was there...

Culture

02.29.12

Wuhan: Left Behind?

EINAR ENGSTRöM, LEAP

Many believe that Wuhan, a historic inland port city midway up the Yangtze River, is on the upswing. Yet a week of firsthand observation reveals a youth culture struggling to cope with the city's second-tier identity, leaving questions as to how the creative potential of similar...

Culture

02.29.12

Under the Gingko Tree

LEAP

Chongqing is western China’s only centrally administered city. A mountain town where two rivers meet, Chongqing is one of modern Chinese history’s most strategically important strongholds, and also one of the most important sources of contemporary Chinese art. It is a city...

Culture

02.28.12

The Educators

SUN DONGDONG, LEAP

The question of art education in China, like just about every question in China, is a complicated one, tied to the myriad issues facing a society in the throes of a massive transition. There is no easy solution, and acknowledging the obstacles is a prerequisite to solving the...

Culture

02.28.12

Philosophies of Independence: The Li Xianting Film...

LEAP

Riding the 938 bus out of Beijing’s Guomao station, the Central Business District gradually dissolves on the hour-long journey east to Songzhuang, giving way to a landscape not unlike that found in hundreds of county-level towns across China. An artist community on the city’s...

Culture

02.22.12

Our Time With Mu Xin

LEAP

At three o'clock in the morning on December 21, 2011, the poet, writer, and painter Mu Xin passed away at the age of eighty-four in his hometown of Wuzhen. In this essay, two filmmakers from New York attempt to reconstruct the six days they spent interviewing the artist, as well...

Culture

12.21.11

Hong Kong's Own Art Fair

PHILIP TINARI

Late spring is art fair season, and last week's dramatic news that Art Basel, the best art fair in the world, will take ownership of Asia's new star Art HK has caught much of the art world by surprise. Under new ownership, the fair, already recognized as the premier contemporary...

Culture

10.01.11

Bishan Harvestival

LEAP

One can almost imagine Bishan in its heyday. On the evening of August 26, 2011 the village’s daytime enthusiasm gushes towards the Yi County Cinema. It’s the kind of movie theater almost every small town has had, but Bishan’s has somehow managed to hang on to a 1980s or 90s...

DISCUSSION

Mao and the Writers

MARTIN BERNAL

By the 1930s the intolerable quality of life and the inefficiency, corruption, and conservatism of the Kuomintang had driven nearly every serious creative writer in China to the Left. Most turned toward some form of Marxism, which not only offered the most convincing explanation...

Forever Jade

JONATHAN D. SPENCE

A central crisis in modern Chinese letters has been caused by the need to take account of Western forms. Some writers adjusted eagerly to Western literature out of a sincere admiration for Western culture; some grudgingly, out of a total rejection of China’s own “feudal”...

Stories from the Ice Age

JONATHAN MIRSKY

Since the Tiananmen Square killings it has become fashionable within the Chinese leadership to refer to dissident intellectuals as “scum.” That was Mao’s view, too. In 1942, the chairman, his armies besieged by both Chiang Kai-shek and the Japanese army, took time off for...