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New York Review of Books

From their website:

The New York Review began during the New York publishing strike of 1963, when its founding editors, Robert Silvers and Barbara Epstein, and their friends, decided to create a new kind of magazine—one in which the most interesting and qualified minds of our time would discuss current books and issues in depth. Just as importantly, it was determined that the Review should be an independent publication; it began life as an independent editorial voice and it remains independent today.

The New York Review’s early issues included articles by such writers as W.H. Auden,Elizabeth HardwickHannah ArendtEdmund WilsonSusan SontagRobert Penn WarrenLilian HellmanNorman MailerGore VidalSaul BellowRobert Lowell,Truman CapoteWilliam Styron, and Mary McCarthy. The public responded by buying up practically all the copies printed and writing thousands of letters to demand that The New York Review continue publication. And Robert Silvers and Barbara Epstein continued as co-editors of the Review until Barbara’s death in 2006; Robert Silvers continues as editor.

Within a short time, The New York Times was writing that The New York Review “has succeeded brilliantly,” The New Statesman hailed its founding as “of more cultural import than the opening of Lincoln Center,” and the great English art historian Kenneth Clark observed, “I have never known such a high standard of reviewing.” The unprecedented and enthusiastic response was indicative of how badly America needed a literary and critical journal based on the assumption that the discussion of important books was itself an indispensable literary activity.

Last Updated: July 7, 2016

China’s Hidden Massacres: An Interview with Tan Hecheng

Ian Johnson from New York Review of Books
Tan Hecheng might seem an unlikely person to expose one of the most shocking crimes of the Chinese Communist Party. A congenial 67-year-old who spent most of his life in southern Hunan province away from the seats of power, Tan is no dissident. In...

How Tibet Is Being Crushed—While the Dalai Lama Survives

Jonathan Mirsky from New York Review of Books
If you read every page of Tsering Woeser’s latest book and skip the first and last chapters of Tsering Topgyal’s, the ultimate message about the situation in Tibet is often the same. Chinese rule, writes Woeser, is no less than “ethnic oppression,”...

Inside and Outside the System: Chinese Writer Hu Fayun

Ian Johnson from New York Review of Books
Over the summer, I traveled to Wuhan to continue my series of talks with people about the challenges facing China. Coming here was part of an effort to break out of the black hole of Beijing politics and explore the view from China’s vast hinterland...

A Magician of Chinese Poetry

Perry Link from New York Review of Books
Some people, and I am one, feel that Tang (618–907 CE) poetry is the finest literary art they have ever read. But does one need to learn Chinese in order to have such a view, or can classical Chinese poetry be adequately translated?In 1987 Eliot...

China: The Virtues of the Awful Convulsion

Ian Johnson from New York Review of Books
For decades, Beijing’s Beihai Park has been one of the city’s most beloved retreats—a strip of green around a grand lake to the north of the Communist Party’s leadership compound, its waters crowded with electric rental boats shaped like ducks and...

China: A Life in Detention

Yang Zhanqing from New York Review of Books
Every year in China, thousands of people suffer what the United Nations calls “arbitrary detention”: confinement in extra-legal facilities—including former government buildings, hotels, or mental hospitals—which are sometimes known as “black jails...

‘The Songs of Birds’

Ian Johnson from New York Review of Books
Day and night,I copy the Diamond Sutraof Prajnaparamita.My writing looks more and more square.It proves that I have not gone entirelyinsane, but the tree I drewhasn’t grown a leaf.—from “I Copy the Scriptures,” in Empty ChairsEvery month, the...

The People in Retreat

Ian Johnson from New York Review of Books
Ai Xiaoming is one of China’s leading documentary filmmakers and political activists. Since 2004, she has made more than two dozen films, many of them long, gritty documentaries that detail citizen activism or uncover whitewashed historical events...

Who Is Kim Jong-un?

Andrew J. Nathan from New York Review of Books
The pudgy cheeks and flaring hairdo of North Korea’s young ruler Kim Jong-un, his bromance with tattooed and pierced former basketball star Dennis Rodman, his boy-on-a-lark grin at missile firings, combine incongruously with the regime’s pledge to...

China: The People’s Fury

Richard Bernstein from New York Review of Books
It has long been routine to find in both China’s official news organizations and its social media a barrage of anti-American comment, but rarely has it reached quite the intensity and fury of the last few days. There have been calls from citizens on...

The Heritage of a Great Man

Freeman Dyson from New York Review of Books
Why did communism grow deep roots and survive in China, while it withered and died in Russia? This is one of the central questions of modern history. A plausible answer to the question is that communism in China resonated with the two-thousand-year-...

A New Language for Chinese Film

J. Hoberman from New York Review of Books
Kaili Blues, an eccentric, remarkably assured first feature by the young Chinese director Bi Gan, is both the most elusive and the most memorable new movie that I’ve seen in quite some time—“elusive” and “memorable” being central to Bi’s ambitions...