Education

During the past decade, Peter Hessler has persistently illuminated worlds both foreign and familiar—ranging from China, where he served as The New Yorker’s correspondent from 2000 to 2007, to southwestern Colorado, where he lived for four years. Strange Stones is an engaging, thought-provoking collection of Hessler’s best pieces, showcasing his range as a storyteller and his gift for writing as both native and knowledgeable outsider. From a taste test between two rat restaurants in South China to a profile of Yao Ming to the moving story of a small-town pharmacist, these pieces are bound by subtle but meaningful ideas: the strength of local traditions, the surprising overlap between cultures, and the powerful lessons drawn from individuals who straddle different worlds.Full of unforgettable figures and an unrelenting spirit of adventure, Strange Stones is a dazzling display of the powerful storytelling, shrewd cultural insight, and warm sense of humor that are the trademarks of Peter Hessler’s work. —Harper Collins{node, 3320, 4}

While dozens of recent books and articles have predicted the near-certainty of China’s rise to global supremacy, this book boldly counters such widely-held assumptions. Timothy Beardson brings to light the daunting array of challenges that today confront China, as well as the inadequacy of the policy responses. Threats to China come on many fronts, Beardson shows, and by their number and sheer weight these problems will thwart any ambition to become the world’s “Number One Power.”Drawing on extensive research and experience living and working in Asia over the last 35 years, the author spells out China’s situation: an inexorable demographic future of a shrinking labor force, relentless aging, extreme gender disparity, and even a falling population. Also, the nation faces social instability, a devastated environment, a predominantly low-tech economy with inadequate innovation, the absence of an effective welfare safety net, an ossified governance structure, and radical Islam lurking at the borders. Beardson’s nuanced, first-hand look at China acknowledges its historic achievements while tempering predictions of its imminent hegemony with a no-nonsense dose of reality. —Yale University Press

Lao She remains revered as one of China’s great modern writers. His life and work have been the subject of volumes of critique, analysis and study. However, the four years the young aspiring writer spent in London between 1924 and 1929 have largely been overlooked. Dr. Anne Witchard, a specialist in the modernist milieu of London between the wars, reveals Lao She’s encounter with British high modernism and literature from Dickens to Conrad to Joyce. Lao She arrived from his native Peking to the whirl of London’s West End scene—Bloomsburyites, Vorticists, avant-gardists of every stripe, Ezra Pound and the cabaret at the Cave of The Golden Calf. Immersed in the West End 1920s world of risqué flappers, the tabloid sensation of England’s “most infamous Chinaman Brilliant Chang” and Anna May Wong’s scandalous film Piccadilly, simultaneously Lao She spent time in the notorious and much sensationalised East End Chinatown of Limehouse. Out of his experiences came his great novel of London Chinese life and tribulations—Mr. Ma and Son: Two Chinese in London. However, as Witchard reveals, Lao She’s London years affected his writing and ultimately the course of Chinese modernism in far more profound ways. —Hong Kong University Press

How could a writer who knew no foreign languages call himself a translator? How, too, did he become a major commercial success, churning out nearly 200 translations over twenty years? Lin Shu, Inc. crosses the fields of literary studies, intellectual history, and print culture, offering new ways to understand the stakes of translation in China and beyond. With rich detail and lively prose, Michael Gibbs Hill shows how Lin Shu (1852-1924) rose from obscurity to become China’s leading translator of Western fiction at the beginning of the twentieth century. Well before Ezra Pound’s and Bertolt Brecht’s “inventions” of China revolutionized poetry and theater, Lin Shu and his assistants—who did, in fact, know languages like English and French—had already given many Chinese readers their first taste of fiction from the United States, France, and England. After passing through Lin Shu’s “factory of writing,” classic novels like Uncle Tom’s Cabin, Oliver Twist spoke with new meaning for audiences concerned with the tumultuous social and political change facing China. Leveraging his success as a translator of foreign books, Lin Shu quickly became an authority on traditional Chinese culture who upheld the classical language as a cornerstone of Chinese national identity. Eventually, younger intellectuals—who had grown up reading his translations—turned on Lin Shu and tarred him as a symbol of backward conservatism. Ultimately, Lin’s defeat and downfall became just as significant as his rise to fame in defining the work of the intellectual in modern China. —Oxford University Press

From The Dragon’s Mouth: Ten True Stories that Unveil the Real China is an exquisitely intimate look into the China of the twenty-first century as seen through the eyes of its people. This is one of the rare times a book combines the voices of everyday Chinese people from so many different layers of society: a dissident tortured by the police; a young millionaire devoted to nationalism; a peasant-turned-prostitute to pay for the best education for her son; a woman who married her gay friend to escape from social pressure, just like an estimated 16 million other women; a venerated kung fu master unable to train outdoors because of the hazardous pollution; the daughter of two Communist Party officials getting rich coaching Chinese entrepreneurs the ways of Capitalism; among others.   —Penguin{chop}{node, 3048, 4}