Politics

Maverick environmental writers William J. Kelly and Chip Jacobs follow up their acclaimed Smogtown with a provocative examination of China’s ecological calamity already imperiling a warming planet. Toxic smog most people figured was obsolete needlessly kills as many as died in the 9/11 attacks every day, while sometimes Grand Canyon-sized drifts of industrial particles aloft on the winds rain down ozone and waterway-poisoning mercury in America.In vivid, gonzo prose blending first-person reportage with exhaustive research and a sense of karma, Kelly and Jacobs describe China’s ancient love affair with coal, Bill Clinton’s blunders cutting free-trade deals enabling the U.S. to "export" manufacturing emissions to Asia in a shift that pilloried the West's middle class, Communist Party manipulation of eco-statistics, the horror of cancer villages, the deception of the 2008 Beijing Olympics, and spellbinding peasant revolts against cancer-spreading plants involving thousands in mostly-censored melées. Ending with China’s monumental coal-bases decried by climatologists as a global warming dagger, The People's Republic of Chemicals names names and emphasizes humanity over bloodless statistics in a classic sure to ruffle feathers as an indictment of money as the real green that not even Al Gore can deny.   —Rare Bird Books, A Vireo Book  {chop}

The discovery of previously unknown philosophical texts from the Axial Age is revolutionizing our understanding of Chinese intellectual history. Buried Ideas presents and discusses four texts found on brush-written slips of bamboo and their seemingly unprecedented political philosophy. Written in the regional script of Chu during the Warring States period (475–221 BCE), all of the works discuss Yao’s abdication to Shun and are related to but differ significantly from the core texts of the classical period, such as the Mencius and Zhuangzi. Notably, these works evince an unusually meritocratic stance, and two even advocate abdication over hereditary succession as a political ideal. Sarah Allan includes full English translations and her own modern-character editions of the four works examined: Tang Yú zhi dao, Zigao, Rongchengshi, and Bao xun. In addition, she provides an introduction to Chu-script bamboo-slip manuscripts and the complex issues inherent in deciphering them. —SUNY Press{chop}