Culture

03.23.18

What Chinese High School Students Learn in America

Jonathan Landreth
In 2011, when a rural prep school in Maine invited New York-based director Miao Wang to screen her first film, Beijing Taxi, she was surprised to find so many Chinese students enrolled at the archetypal New England establishment. Not Chinese-...

Culture

01.05.18

Reflections on ‘Youth’ and Freedom—A Conversation with Feng Xiaogang and Yan Geling

The movie “Youth” is the first collaboration between Feng Xiaogang, the celebrated Chinese director, and prolific novelist Yan Geling. It is a semi-autobiographical coming-of-age story about the time both spent in the People’s Liberation Army during...

Have a Nice Day, Chinese Gangster Animation, Blocked in France

Stephen McDonelll
BBC
The makers of a cutting-edge Chinese film that was pulled from the world's premier animation festival following government pressure from Beijing say they still hope the movie will get a run in cinemas at home later this year...

How ‘Bambi’ Got Its Look From 1,000-Year-Old Chinese Art

Daniel McDermon
New York Times
The Chinese-American artist Tyrus Wong, who died last week at 106, was an incredibly accomplished painter, illustrator, calligrapher and Hollywood studio artist. But as Margalit Fox wrote in her obituary for Mr. Wong, “because of the marginalization...

Culture

11.04.16

A New Comedy Looks Back at a Bygone Beijing

Jonathan Landreth
The forthcoming Mandarin-language comedy King of Peking takes the viewer back to Beijing in 1998. The sooty rooms, the boxy automobiles of just a few makes, models, and colors, and the alleyways crammed with shops hawking cheap home cooking and...

Humanizing the China-Africa Relationship with Film

Eric Olander, Cobus van Staden & more
When independent filmmaker Carl Houston Mc Millan was growing up in the tiny southern African country of Lesotho, he saw firsthand the effects of China’s surging engagement in Africa. Even in this remote country, embedded within South Africa, far...

The People in Retreat

Ian Johnson from New York Review of Books
Ai Xiaoming is one of China’s leading documentary filmmakers and political activists. Since 2004, she has made more than two dozen films, many of them long, gritty documentaries that detail citizen activism or uncover whitewashed historical events...

This Dystopian Film From Hong Kong Shows Exactly Why Activism Matters

Isha Aran
Fusion
“Ten Years” depicts the ripple effect of the Umbrella Movement in China past two years....

Culture

06.29.16

Using Free Sex to Expose Sexual Abuse in China

Jonathan Landreth
Nanfu Wang hoped that a woman called Ye Haiyan (“Hooligan Sparrow”), who had offered free sex on the Internet to draw attention to the plight of poor women selling their bodies to support their children, would lead her to the prostitutes she wanted...

A New Language for Chinese Film

J. Hoberman from New York Review of Books
Kaili Blues, an eccentric, remarkably assured first feature by the young Chinese director Bi Gan, is both the most elusive and the most memorable new movie that I’ve seen in quite some time—“elusive” and “memorable” being central to Bi’s ambitions...

Media

03.29.16

‘River Town’ the Movie

Jonathan Landreth from China Film Insider
Not since Iron and Silk premiered at the Sundance Film Festival in 1991 has a movie based on a memoir about teachers on the front lines of U.S.-China relations come to the big screen. Director Shirley Sun’s mostly-English-language film adaptation of...

Media

02.02.16

When Push Comes to Shove—Movies, China, and the World

Jonathan Landreth from China Film Insider
The moviemaking dance the United States is doing with China is picking up pace. The Asian giant’s audience influence is soaring as estimates show that Chinese box office returns could overtake American ticket sales this year or next. Parity in...

Culture

01.05.16

In ‘Mr. Six,’ China’s Changing and Staying the Same

Jonathan Landreth from China Film Insider
Playing an aging gangster railing against the “little punks” who kidnapped his son in Beijing, Feng Xiaogang gives a solid performance as the title character of Mr. Six: a gravel-throated vigilante shaken when his go-it-alone rescue effort puts him...

Culture

11.04.15

Zhang Yimou: ‘Even Though Our Market Is Growing Fast, We’re Still Not Satisfied’

Jonathan Landreth
Hollywood has Steven Spielberg and China has Zhang Yimou, the senior statesman of moviemaking in the People’s Republic. From Red Sorghum, his 1987 debut right out of the Beijing Film Academy, through Hero, which grossed more in America in 2002 than...

Culture

10.07.15

Jia Zhangke on Finding Freedom in China on Film

Jonathan Landreth
Jia Zhangke is among the most celebrated filmmakers China has ever produced—outside of China. His 2013 film, A Touch of Sin, a weaving-together of four tales of violence ripped from modern-day newspaper headlines, won the Best Screenplay award at...

Culture

10.02.15

In Zhang Yimou’s ‘Coming Home’ History is Muted But Not Silent

Eva Shan Chou
Coming Home, directed by the celebrated Zhang Yimou and released in the U.S. last week, begins as a man escapes a labor camp in China’s northwest and tries to return home. But he is captured when he and his wife attempt to meet, after their daughter...

Culture

09.11.15

French Director’s Chinese Movie Balances Freedom With Compromise

Jonathan Landreth
In 2012, French movie director Jean-Jacques Annaud got a warm welcome in China after more than a dozen years as persona non grata there for having offended official Chinese Communist Party history with his 1997 film Seven Years in Tibet—the story of...

Culture

08.20.15

Banned in China, Independent Chinese Films Come to New York

Jonathan Landreth
Three years ago this week I watched the 9th Beijing Independent Film Festival crumble under the weight of official fear—fear that the gritty low-budget, experimental dramas and documentaries screening in a remote Beijing suburb reflected a touch...

Local Filmmakers Must Raise Their Game to Compete With Hollywood

Clifford Coonan
Hollywood Reporter
Chen Kaige says that while the movie industry booms in China, local filmmakers need to raise their standards to compete with Hollywood.