This year marked the 50th anniversary of the beginning of the Cultural Revolution, a chaotic decade of Chinese history made infamous in the West through books such as Wild Swans and Life and Death in Shanghai, which describe in horrific detail the suffering endured by millions of people.
Most histories of the period focus on violence committed by the Red Guards, the imprisonment of people in cow sheds, and other terrifying acts, but Paul Clark’s book The Chinese Cultural Revolution: A History examines the art of the era. For this episode of Sinica, Clark joined Jeremy Goldkorn in Auckland, New Zealand, to discuss the large number of new operas, plays, films, and other creative works that emerged from the tumultuous time.
Clark is a pioneer in the academic study of Chinese films, and he was one of the first New Zealand students to go to Beijing on an official exchange when he spent two years studying in the country in the 1970s. He has published books on Maori history, Chinese cinema, and Chinese youth culture, as well as The Chinese Cultural Revolution, which looks at the creation, dissemination, and innovation of art, film, theater, and architecture in China from 1966 to 1976.
- Hillbilly Elegy: A Memoir of a Family and Culture in Crisis, by J.D. Vance (HarperCollins, 2016)
- Red Sorghum, directed by Zhang Yimou (Xi’an Film Studio, 1987)
- Sinica Backgrounder: Art Amid the Atrocities of the Cultural Revolution, by Amedeo Tumolillo, SupChina.
- “Trump: Tribune Of Poor White People,” by Rod Dreher, The American Conservative, July 22, 2016