The jaded Western music establishment can learn a thing or two from China, Jonathan Campbell says. The 37-year-old, who spent four years in Beijing as a band promoter, documents the relatively brief history of Chinese rock in his book “Red Rock: The Long, Strange March of Chinese Rock & Roll.” “The best of Chinese rock music embodies something that isn’t embodied in this part of the world anymore—hope, energy and survival,” says Mr. Campbell, who now lives in Toronto. “Rock did change the lives of a lot of people, and Chinese rock demonstrates that.”
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