National Review

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A year before National Review was founded, I spent an evening with Whittaker Chambers, and he asked me, half provocatively, half seriously, what exactly it was that my prospective journal would seek to save. I trotted out a few platitudes, of the sort one might expect from a twenty-eight-year-old fogy, about the virtues of a free society. He wrestled with me by obtruding the dark historicism for which he had become renowned. Don’t you see? he said. The West is doomed, so that any effort to save it is correspondingly doomed to failure. I drop this ink stain on the bridal whiteness of this fleeted evening only to acknowledge soberly that we are still a long way from establishing, for sure, that Whittaker Chambers was wrong. But that night, challenged by his pessimism, I said to him that if it were so that providence had rung up our license on liberty, stamping it as expired, the Republic deserved a journal that would argue the historical and moral case that we ought to have survived: that, weighing the alternative, the culture of liberty deserves to survive. So that even if the worst were to happen, the journal in which I hoped he would collaborate might serve, so to speak, as the diaries of Anne Frank had served, as absolute, dispositive proof that she should have survived, in place of her tormentors — who ultimately perished. In due course that argument prevailed, and Chambers joined the staff.

Last Updated: July 7, 2016

Hollywood, the Nazis, and the Chi-Coms

John Fund
National Review
A forthcoming book presents a strong case that pre–World War II Hollywood was in bed with Nazi Germany, in catering to its censorship demands. Is it happening again today, regarding show-business relations with the...