Feminism

Verso: On the eve of International Women’s Day in 2015, the Chinese government arrested five feminist activists and jailed them for 37 days. The Feminist Five became a global cause célèbre, with Hillary Clinton speaking out on their behalf and activists inundating social media with #FreetheFive messages. But the Five are only symbols of a much larger feminist movement of civil rights lawyers, labor activists, performance artists, and online warriors prompting an unprecedented awakening among China’s educated, urban women. In Betraying Big Brother, journalist and scholar Leta Hong Fincher argues that the popular, broad-based movement poses the greatest challenge to China’s authoritarian regime today.Through interviews with the Feminist Five and other leading Chinese activists, Hong Fincher illuminates both the difficulties they face and their “joy of betraying Big Brother,” as one of the Feminist Five wrote of the defiance she felt during her detention. Tracing the rise of a new feminist consciousness now finding expression through the #MeToo movement, and describing how the Communist regime has suppressed the history of its own feminist struggles, Betraying Big Brother is a story of how the movement against patriarchy could reconfigure China and the world.{chop}

Finding Women in the State is a provocative hidden history of socialist state feminists maneuvering behind the scenes at the core of the Chinese Communist Party. These women worked to advance gender and class equality in the early People’s Republic and fought to transform sexist norms and practices, all while facing fierce opposition from a male-dominated Chinese Communist Party leadership, from the local level to the central level. Wang Zheng extends this investigation to the cultural realm, showing how feminists within China’s film industry were working to actively create new cinematic heroines, and how they continued a New Culture anti-patriarchy heritage in socialist film production. This book illuminates not only the different visions of revolutionary transformation but also the dense entanglements among those in the top echelon of the Party. Wang discusses the causes for failure of China’s socialist revolution and raises fundamental questions about male dominance in social movements that aim to pursue social justice and equality. This is the first book engendering the People’s Republic of China high politics and has important theoretical and methodological implications for scholars and students working in gender studies as well as China studies. —University of California Press{chop}

When China hosted the 2008 Summer Olympics—and amazed international observers with both its pageantry and gold-medal count—it made a very public statement about the country’s surge to global power. Yet, China has a much longer history of using sport to communicate a political message. Sporting Gender is the first book to explore the rise to fame of female athletes in China during its national crisis of 1931-45 brought on by the Japanese invasion. By re-mapping lives and careers of individual female athletes, administrators, and film actors within a wartime context, Gao shows how these women coped with the conflicting demands of nationalist causes, unwanted male attention, and modern fame. While addressing the themes of state control, media influence, fashion, and changes in gender roles, she argues that the athletic female form helped to create a new ideal of modern womanhood in China at time when women’s emancipation and national needs went hand in hand. This book brings vividly to life the histories of these athletes and demonstrates how intertwined they were with the aims of the state and the needs of society. —University of British Columbia Press{chop}  

He-Yin Zhen (ca. 1884-ca.1920) was a theorist who figured centrally in the birth of Chinese feminism. Unlike her contemporaries, she was concerned less with China’s fate as a nation and more with the relationship among patriarchy, imperialism, capitalism, and gender subjugation as global historical problems. This volume, the first translation and study of He-Yin’s work in English, critically reconstructs early twentieth-century Chinese feminist thought in a transnational context by juxtaposing He-Yin Zhen’s writing against works by two better-known male interlocutors of her time.The editors begin with a detailed analysis of He-Yin Zhen’s life and thought. They then present annotated translations of six of her major essays, as well as two foundational tracts by her male contemporaries, Jin Tianhe (1874-1947) and Liang Qichao (1873–1929), to which He-Yin’s work responds and with which it engages. Jin, a poet and educator, and Liang, a philosopher and journalist, understood feminism as a paternalistic cause that liberals like themselves should defend. He-Yin presents an alternative conception that draws upon anarchism and other radical trends. Ahead of her time, He-Yin Zhen complicates conventional accounts of feminism and China’s history, offering original perspectives on sex, gender, labor, and power that remain relevant today.  —Columbia University Press{chop}