Filmmakers

Although Beijing and Hollywood inhabit political and cultural universes that have little in common, they are similar in one important respect: both have expended vast amounts of energy, time, and capital confecting imaginary universes. The Chinese...

In 2011, when a rural prep school in Maine invited New York-based director Miao Wang to screen her first film, Beijing Taxi, she was surprised to find so many Chinese students enrolled at the archetypal New England establishment. Not Chinese-...

The movie “Youth” is the first collaboration between Feng Xiaogang, the celebrated Chinese director, and prolific novelist Yan Geling. It is a semi-autobiographical coming-of-age story about the time both spent in the People’s Liberation Army during...

The forthcoming Mandarin-language comedy King of Peking takes the viewer back to Beijing in 1998. The sooty rooms, the boxy automobiles of just a few makes, models, and colors, and the alleyways crammed with shops hawking cheap home cooking and...

When independent filmmaker Carl Houston Mc Millan was growing up in the tiny southern African country of Lesotho, he saw firsthand the effects of China’s surging engagement in Africa. Even in this remote country, embedded within South Africa, far...

Ai Xiaoming is one of China’s leading documentary filmmakers and political activists. Since 2004, she has made more than two dozen films, many of them long, gritty documentaries that detail citizen activism or uncover whitewashed historical events...

Nanfu Wang hoped that a woman called Ye Haiyan (“Hooligan Sparrow”), who had offered free sex on the Internet to draw attention to the plight of poor women selling their bodies to support their children, would lead her to the prostitutes she wanted...

Kaili Blues, an eccentric, remarkably assured first feature by the young Chinese director Bi Gan, is both the most elusive and the most memorable new movie that I’ve seen in quite some time—“elusive” and “memorable” being central to Bi’s ambitions...

Not since Iron and Silk premiered at the Sundance Film Festival in 1991 has a movie based on a memoir about teachers on the front lines of U.S.-China relations come to the big screen. Director Shirley Sun’s mostly-English-language film adaptation of...

The moviemaking dance the United States is doing with China is picking up pace. The Asian giant’s audience influence is soaring as estimates show that Chinese box office returns could overtake American ticket sales this year or next. Parity in...

Playing an aging gangster railing against the “little punks” who kidnapped his son in Beijing, Feng Xiaogang gives a solid performance as the title character of Mr. Six: a gravel-throated vigilante shaken when his go-it-alone rescue effort puts him...

Hollywood has Steven Spielberg and China has Zhang Yimou, the senior statesman of moviemaking in the People’s Republic. From Red Sorghum, his 1987 debut right out of the Beijing Film Academy, through Hero, which grossed more in America in 2002 than...

Jia Zhangke is among the most celebrated filmmakers China has ever produced—outside of China. His 2013 film, A Touch of Sin, a weaving-together of four tales of violence ripped from modern-day newspaper headlines, won the Best Screenplay award at...

Coming Home, directed by the celebrated Zhang Yimou and released in the U.S. last week, begins as a man escapes a labor camp in China’s northwest and tries to return home. But he is captured when he and his wife attempt to meet, after their daughter...

In 2012, French movie director Jean-Jacques Annaud got a warm welcome in China after more than a dozen years as persona non grata there for having offended official Chinese Communist Party history with his 1997 film Seven Years in Tibet—the story of...

Three years ago this week I watched the 9th Beijing Independent Film Festival crumble under the weight of official fear—fear that the gritty low-budget, experimental dramas and documentaries screening in a remote Beijing suburb reflected a touch...