Society

The spring of 1971 heralded the greatest geopolitical realignment in a generation. After twenty-two years of antagonism, China and the United States suddenly moved toward a détente—achieved not by politicians but by Ping-Pong players. The Western press delighted in the absurdity of the moment and branded it “Ping-Pong Diplomacy.” But for the Chinese, Ping-Pong was always political, a strategic cog in Mao Zedong’s foreign policy. Nicholas Griffin proves that the organized game, from its first breath, was tied to Communism thanks to its founder, Ivor Montagu, son of a wealthy English baron and spy for the Soviet Union. Ping-Pong Diplomacy traces a crucial inter­section of sports and society. Griffin tells the strange and tragic story of how the game was manipulated at the highest levels; how the Chinese government helped cover up the death of 36 million peasants by holding the World Table Tennis Championships during the Great Famine; how championship players were driven to their deaths during the Cultural Revolution; and, finally, how the survivors were reconvened in 1971 and ordered to reach out to their American counterparts. Through a cast of eccentric characters, from spies to hippies and Ping-Pong-obsessed generals to atom-bomb survivors, Griffin explores how a neglected sport was used to help realign the balance of worldwide power.  —Scribner{chop}

He-Yin Zhen (ca. 1884-ca.1920) was a theorist who figured centrally in the birth of Chinese feminism. Unlike her contemporaries, she was concerned less with China’s fate as a nation and more with the relationship among patriarchy, imperialism, capitalism, and gender subjugation as global historical problems. This volume, the first translation and study of He-Yin’s work in English, critically reconstructs early twentieth-century Chinese feminist thought in a transnational context by juxtaposing He-Yin Zhen’s writing against works by two better-known male interlocutors of her time.The editors begin with a detailed analysis of He-Yin Zhen’s life and thought. They then present annotated translations of six of her major essays, as well as two foundational tracts by her male contemporaries, Jin Tianhe (1874-1947) and Liang Qichao (1873–1929), to which He-Yin’s work responds and with which it engages. Jin, a poet and educator, and Liang, a philosopher and journalist, understood feminism as a paternalistic cause that liberals like themselves should defend. He-Yin presents an alternative conception that draws upon anarchism and other radical trends. Ahead of her time, He-Yin Zhen complicates conventional accounts of feminism and China’s history, offering original perspectives on sex, gender, labor, and power that remain relevant today.  —Columbia University Press{chop}

Over the years, China Digital Times (CDT) has collected hundreds of words and turns of phrase invented by China’s citizens of the Internet, its “netizenry.” Playfully evading online censors, netizens have created a world of “grass-mud horses” and “river crabs,” forever locked in battle in the “Mahler Desert.” CDT’s Grass-Mud Horse Lexicon is a collection of politically-charged terms which represent netizen resistance discourse. This eBook includes a selection of “classic” terms which have endured beyond the events which generated them. They are arranged by category, and indices in alphabetical order by both English and pinyin are included. This is the netizen language you need to know to understand China’s Internet. —China Digital Times{chop}